Tuesday, January 17, 2012

It's about that time

I should preface to anyone who has started reading this blog in the last few months: A few times a year, I take a break from my sporadic theological ponderings to review awards-show fashion. It is not the world's most serious endeavor, so feel free to skip this one -- or indulge the side of yourself that is sick of listening to me rant about Mark Driscoll.

OH, what a night! Ricky Gervais delivered on lackluster jokes about the celebrities in the room, George Clooney got away with the dirtiest joke of the night in his charming, I-stole-Brad-Pitt's'-cane kind of way, and The Artist and Downton Abbey deservedly won their respective categories. Of course, if you've been following this blog for any amount of time now, you know that this is all warm-up for the Oscars, which my family is absolutely religious about. So I'm on to a month of reading wacky prediction blogs, but before I go there, needed to debrief some of the Golden Globe fashions.





Loved Laura Dern's dress. Loved loved loved it. So classy, so 1970s Halston -- Sarah Jessica Parker would be proud. The color is so rich. It reminds me of Angie's Golden Globes dress last year, but I think I like Laura's even more. The V-neck adds something, and I love the contrasting colors of the collar and the belt. Her hair looks like she just read an article in Teen Vogue about putting it in two braids at night and then undoing it the next day for a fabulous style!, but it doesn't really do much for me.

Okay. Now that we've talked about her dress, can we talk about how she brought Ben Harper (her estranged ex-husband) as her date?! I love the two of them together, and the news of their possible reunification brings me great joy.









OH, Rooney Mara, I have a feeling that you love all the Lisbeth Salander attention you are getting these days. Since you've essentially transformed yourself into the character. Because they interview her all the time ("What was it like to get the role?" "When did you change from your seemingly sunny former self into a goth Method actress?"), I know that the most Commonly Asked Question of Rooney Mara is whether she kept her piercings from the movie. She kept a few. Consequently, all I could think when I saw her was, "I wonder if her nipple piercings are chafing under that dress." Because, I mean, ouch!







I would just like to say that Carey Michelle Mulligan Williams is looking very cute these days. Didn't you love when she sang "New York, New York" on Dawson's Creek? Or when she dated Shia LaBouef in Blue Valentine? What a gamine talent!

















This one just makes me think of Jessica Biel, but looks ten times worse because the wearer did not just get engaged to Justin Timberlake, rendering her temporarily insane. What has Amanda Peet even been up to lately? Shopping Florence Welch's closet, apparently.



Zooey! You looked fantastic. Better than adorable, or 'adorkable,' which is a word I refuse to use, so let's pretend I didn't. Her Prada dress was gorgeous -- so different from what almost anyone else was wearing. I love that she had a pop of color on the dress and clutch, and the bottom of the dress totally reminds me of my wedding dress--except don't worry, it wasn't black, I'm not that weird--which is always a good thing. The only thing that really bothered by about this whole look was her hair. She looks like Liza Minelli (or, more accurately, the Andy Warhol image of Liza Minelli.) The fringe-y bangs combined with the oddly-layered hair makes for a funky combination. But overall, much more sophisticated than we might have expected. A victory. 

The winner of the night was, hands down, Charlize Theron. She looked absolutely stunning, and I know that the dress has a ton of stuff going on -- drapey bow, brooch, slit up to there -- but it just worked. The peachy hue was a gorgeous shade against her skin, and the headband and hairstyle and shoes all conspired to form a perfect Golden Globes look. Playful, stylish, not overly formal or elegant. She looked statuesque. The only thing I might have added was one of those backwards necklaces that are so hot nowadays. All jewelry should be worn backwards. 
This dress was also a great example of a skin-tone dress that was the right shade. Julie Bowen, bless her heart, gave it the old college try on Sunday night, and I LOVED the sleeves on her gown but the rest of it just looked like . . . pretty skin. Is that too Silence of the Lambs? 

Blergh! This makes NO sense, excepting the aforementioned temporary insanity plea. I mean, girlfriend. You are GORGEOUS. She looks like my friend Mallory from highschool, I think -- the prettiest girl next door/tomboy you've ever seen, so WHY are you walking around in an oversized doily with a scalloped center slit? Why do you want us, your loyal fans from the days of 7th Heaven, to think that you have a third boob somewhere on your chest? The phrase "Jessica Biel stylist" brings up a cadre of unrevealing results, so I can't tell if she was given professional advice to look like the Bride of Frankenstein or if she came to it honestly. Either way, blergh! ALSO, UPDATE, I just read that she was wearing a backwards necklace. So, you know, there's that. 
"Giddyup, ladies! I'm playing Annie Oakley in my next movie, Annie Oakley Sings!, a musical about a funeral singer named Annie Oakley who finally embraces her ancestral roots and impossibly high cheekbones. I -- I mean, Annie -- popularized the current phenomena of Dress Pockets, which you can see here by the way I have casually inserted my right hand into my Dress Pocket. An alternate title for the film was The Guns in My Dress Pocket: The Annie Oakley Story, but Lifetime didn't like it. Annie grew tired of excess material on the top of her dresses, so she replaced the top with whimsical mesh fabric and placed the extra on her hips, for an extra flattering fit! Oooh, my ponytail holder fell out! Must run!" 
I almost never post two pictures of a dress, but the back of Claire Danes's dress is what makes it. I was struck not just by how modern this dress is -- stark colors, simple design -- but how delicate it manages to be at the same time. The back, especially, looks held together by almost nothing, and the whole thing looks demure in the best possible way. Old Hollywood, if I dare trot out that old cliche. Her makeup was a bit much for me -- I get that people are loving a bright red lip right now, but it's not my number one favorite all the time. However, this was such a fantastic look overall that I can't complain much.  




Honorable Mentions: Reese Witherspoon, who was all vava voom with beachy hair and a mermaid red dress. Lea Michelle in a non-fishtail, non-little girl Marchesa number. Jessica Alba in a gorgeous lilac princess-y dress that was still sleek and elegant.

Dishonorable Mentions: Tami Taylor in what looked like a sequined linen napkin. Dianna Agron in a Valentino homemade Valentine (all that was missing were the dry macaroni noodles). Sarah Michelle Gellar in a tye dye experiment gone terribly awry. Angelina Jolie in what looked like another napkin, weirdly folded at the neck (and again with the red lipstick.) 

Madonna Mention: Madonna. I have no idea whether I loved or hated her dress, "The Punisher."

2 comments:

Anonymous said...

For a girl wearing knock-off Manolo Blahniks, you certainly have scathing things to say about Meryl Streep's daring Americana gown.

Snacks from the cruise buffet said...

Just found your blog in one of those random internet wanderings...and I have to say I love this post in the midst of "theological ponderings". It speaks to the richness of God's great creation that is not just ideas and words and spiritual stuff but also beautiful dresses. Thank you.